Katalog der Deutschen Nationalbibliothek
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| Link zu diesem Datensatz | https://d-nb.info/gnd/1282664670 |
| Person | Enoch, Carl |
| Geschlecht | männlich |
| Quelle | https://www.enoch-editions.com/en/presentation/historique |
| Zeit | Wirkungsdaten: 1850- |
| Land | Frankreich (XA-FR) |
| Geografischer Bezug | Wirkungsort: Paris |
| Beruf(e) | Musikverleger |
| Weitere Angaben | Carl Enoch was an itinerant salesman for the German company Littolf Publishers when in 1853 he set up a music publishing business located in Paris, 27 boulevard des Italiens. From the beginning, Carl brought his young children into his business in order to introduce them to music publishing. It was Carl’s eldest son, Wilhem, who succeeded his father in the 1880’s. He took over the firm in which he had already been collaborating with Carl for twenty years. Wilhem created his own catalogue of musical works. At the same time, Wilhem’s youngest brother, Charles Enoch migrated to London, England where he set up the music publishing house Enoch and Sons. Wilhem gave a new life to the business by launching a new publishing policy which seemed both unusual and contradictory. He decided to split his catalogue between on the one hand, serious works of symphonic or religious music (for example Les Éolides by César Franck), España by Emmanuel Chabrier or the Romanian rhapsodies by Georges Enesco) and on the other hand, popular and light music like songs by Paul Delmet or operette by André Messager. The reputation of Enoch & cie was also based on the educational tradition and music teaching methods like, for example, the Traité de la fugue by André Gedalge which has been one of the best references since its publication in 1904. |
| Beziehungen zu Organisationen | Enoch and Sons (London) |
| Typ | Person (piz) |
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