|
1 |
A postcript to „The partial signatures in the source up to 1400”
Enthalten in Acta musicologica Bd. 11, Nr. 1/2: S.40-42
|
|
|
|
2 |
Accidentals and the modes in 15th- and 16th-century sources
Enthalten in American Musicological Society: Bulletin of the American Musicological Society Bd. 2: S.6
|
|
|
|
3 |
Documenta Polyphoniae Liturgicae S. Ecclesiae Romanae. Series I, No.1: G. Dufay, Fragmentum Missae [Rezension]
Enthalten in Speculum Bd. 24, Nr. 1: S. 136
|
|
|
|
4 |
Early german keyboard music
Enthalten in The musical quarterly Bd. 23, Nr. 2: S. 210-237
|
|
|
|
5 |
Early Spanish music for lute and keyboard instruments
Enthalten in The musical quarterly Bd. 20, Nr. 3: S. 289-301
|
|
|
|
6 |
Guglielmus De Van, Guglielmi Dufay Opera Omnia, I and II [Rezension]
Enthalten in Speculum Bd. 24, Nr. 1: S. 136-137
|
|
|
|
7 |
Higinio Anglés, La música de las cantigas de Santa Maria del Rey [Rezension]
Enthalten in Speculum Bd. 22, Nr. 3: S. 458-460
|
|
|
|
8 |
Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae. Series I, Tomus I, Fasciculus I: Gulielmus Dufay [Rezension]
Enthalten in Speculum Bd. 24, Nr. 1: S. 133-136
|
|
|
|
9 |
Neapolitan Links between Cabezon and Frescobaldi
Enthalten in The musical quarterly Bd. 24, Nr. 4: S. 419-437
|
|
|
|
10 |
The early development of the organ Ricerar
Enthalten in Musica disciplina Bd. 3, Nr. 2,3,4: S. 139-150
|
|
Administration
