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Treffer 70 von 2710
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| Link zu diesem Datensatz | https://d-nb.info/1332198600 |
| Art des Inhalts | Aufsatzsammlung |
| Titel | From La Strada to The Hours : Suffering and Sovereign Women in the Movies / edited by Vivian Pramataroff-Hamburger, Andreas Hamburger |
| Person(en) |
Pramataroff-Hamburger, Vivian (Herausgeber) Hamburger, Andreas (Herausgeber) |
| Organisation(en) | SpringerLink (Online service) (Sonstige) |
| Werk(e) | Von La Strada bis The Hours - leidende und souveräne Frauen im Spielfilm |
| Ausgabe | 1st ed. 2024 |
| Verlag | Berlin, Heidelberg : Springer Berlin Heidelberg, Imprint: Springer |
| Zeitliche Einordnung | Erscheinungsdatum: 2024 |
| Umfang/Format | Online-Ressource, Approx. 450 p. 5 illus. : online resource. |
| Andere Ausgabe(n) |
Erscheint auch als Druck-Ausgabe: From La Strada to The Hours - suffering and sovereign women in the movies Printed edition:: ISBN: 978-3-662-68790-1 |
| Inhalt | Part I. “We are all of us stars, and we deserve to twinkle.” Self-presentations as objects of desire -- Chapter 1 . Sunset Boulevard: Diva as Demon -- Chapter 2. Breakfast at Tiffany's, style icon as a lifelong lie -- Chapter 3. Le Mépris (Jean-Luc Godard 1963) and its story of cinema: a ‘fabric of quotations’ -- Chapter 4. look behind the veil – What is actually "obscure" about Luis Buñuel's film, That Obscure Object of Desire? (Cet obscur objet du désir, F, ES 1977) -- Part II. Strong Feelings. Women as persistent subjects -- Chapter 5. Poetry and reality. Devastated Landscapes of the soul: La Strada (The Road, I 1954) -- Chapter 6. Woman as a Black Bird – The Presentation of Femininity in Alfred Hitchcock's The Birds (US 1963) -- Chapter 7. Trauma, Depression and Transgenerational Suicidal Tendency – Psychoanalytical Notes on the Film Die Wand [The Wall] (A, D 2012) -- Chapter 8. Resilient Femininity in Three Billboards Outside Ebbing, Missouri -- Part III.Mothers and Daughters -- Chapter 9. Why mothers are immortal – (All about my mother) -- Chapter 10 . Understanding Bridget Jones.The staging of post-feminist female identity in Bridget Jones's Diary (GB, IRL, F 2001) -- Chapter 11. From LA STRADA TO THE HOURS – Suffering or Sovereign Femininity in Feature Films -- Part IV. Women's suffering. Illness and mystery in the film -- Chapter 12. Black Swan -- Chapter 13. "You Freud, me Jane?" – Images of Womanhood and love in Alfred Hitchcock's Marnie (US 1964) -- Chapter 14. Thrill and Suffering – Misery (US 1990) -- Chapter 15. You are the only person who can give me back myself": The passions of self-image and ego distortion – Der Liebeswunsch [The Love Wish] (D 2006) -- Part V. String Pullers. When women control events -- Chapter 16. Alfred Hitchcock’s Rebecca: The Replacement Wife -- Chapter 17. Women’s Truth Witness for the Prosecution, US 1958 -- Chapter 18. I’m Not Your Nice Girl – Gone Girl (US 2014) -- Chapter 19. Gateway to the Night – The Night Porter(Il portiere di notte, I 1974) -- Chapter 20. In Search of the Lost Mother – The Piano (NZ, AU, F 1993) -- Part VI . Revolt against the camera. The uprising against “male gaze” -- Chapter 21. A Woman in Limbo – Lost in Translation (US 2003) -- Chapter 22. Pursuing Emptiness - Obsession and (im) potence in Kathryn Bigelow's Blue Steel (US 1990) -- Part VII . Artifacts and Fantasized Women -- Chapter 23. S.O.S. - Spike Jonze's Her as a film about object relations and grief -- Chapter 24. Vagina dentata – Underworld (US, GB, H, D 2003) -- Part VIII . Self-empowerment and identity -- Chapter 25. Keep Going – Thelma & Louise (US, 1991) -- Chapter 26. From Eternity to Eternity(The Hours, US, 2002) -- Chapter 27. Love with a Salty Taste – Carol (GB, US 2015) -- Chapter 28. The end of a great love? – Blue Valentine (US 2010) -- Chapter 29. Said with flowers – bread and tulips (Pane e tulipani, I, CH 2000) |
| Persistent Identifier |
URN: urn:nbn:de:101:1-2406090408035.559667233377 DOI: 10.1007/978-3-662-68789-5 |
| URL | https://doi.org/10.1007/978-3-662-68789-5 |
| ISBN/Einband/Preis | 978-3-662-68789-5 |
| Sprache(n) | Englisch (eng) |
| Schlagwörter | Frau <Motiv> ; Film ; Geschichte 1950-2017 ; Psychoanalyse |
| DDC-Notation | 791.436522 [DDC23ger] |
| Sachgruppe(n) | 791 Öffentliche Darbietungen, Film, Rundfunk |
| Online-Zugriff | Archivobjekt öffnen |
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