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| Link zu diesem Datensatz | https://d-nb.info/1325109800 |
| Titel | Multilingual Dramaturgies : Towards New European Theatre / by Kasia Lech |
| Person(en) | Lech, Kasia (Verfasser) |
| Organisation(en) | SpringerLink (Online service) (Sonstige) |
| Ausgabe | 1st ed. 2024 |
| Verlag | Cham : Springer International Publishing, Imprint: Palgrave Macmillan |
| Zeitliche Einordnung | Erscheinungsdatum: 2024 |
| Umfang/Format | Online-Ressource, XV, 273 p. 37 illus., 3 illus. in color. : online resource. |
| Andere Ausgabe(n) |
Printed edition:: ISBN: 978-3-031-40623-2 Printed edition:: ISBN: 978-3-031-40625-6 Printed edition:: ISBN: 978-3-031-40626-3 |
| Inhalt | Chapter1. Multilingual Dramaturgies: Theories, Politics, and European landscape -- Part I: Questions Of Language -- Chapter 2. The Failures of Multilingual Dramaturgies: The blind poet by Needcompany -- Chapter 3. Multisensory, Multilingual Dramaturgy as a Tool for Social Change: Nie Mów Nikomu (Don’t Tell Anyone) by Scena Robocza.-Chapter 4. Dramaturgy of Incomprehensibility and Encounter in Odin Teatret’s The Tree -- Part II: Multilingual Adaptations -- Chapter 5. Multilingual Histories of Europe: Sir David Pountney on The Passenger and Memories of Auschwitz -- Chapter 6. Multilingualism as Mask and Virus: The Dialogue with Tradition in the Theatre of Radosław Rychci -- Chapter 7. Actors as Creators of Multilingual Dramaturgies: Teatro Inverso and Their Transnational Adaptations -- Part III: Local And Trans-Local Tales Of Cities And Their Communities -- Chapter 8. Dramaturging the Multilingual Community: Dramaturg Nina Thunnissen on the Work of Frisian Tryater -- Chapter 9. Multilingualismand Dramaturgy of History and Democracy: the Lithuanian National Theatre’s Žalia pievelė -- Chapter 10. Local and Global Politics in Malmö’s Teater Foratt and Teater JaLaDa -- Part IV:Webbed Dramaturgies -- Chapter 11. Towards Porous Europe: Multilingual Dramaturgies in Rimini Protokoll’s 100% City -- Chapter 12. Towards Aesthetics of Transatlantic Theatre: Multilingualism in SignDance Collective International’s production of Carthage/Cartagena by Caridad Svich.-Chapter 13. Making Europe: How Anne Bérélowitch’s Directorial and Training Practices Open Spaces for New Multilingual Dramaturgies -- Chapter 14. Towards New European Theatre |
| Persistent Identifier |
URN: urn:nbn:de:101:1-2024040304310546656531 DOI: 10.1007/978-3-031-40624-9 |
| URL | https://doi.org/10.1007/978-3-031-40624-9 |
| ISBN/Einband/Preis | 978-3-031-40624-9 |
| Sprache(n) | Englisch (eng) |
| Beziehungen | New Dramaturgies |
| DDC-Notation | 792.094 (maschinell ermittelte DDC-Kurznotation) |
| Sachgruppe(n) | 792 Theater, Tanz |
| Online-Zugriff | Archivobjekt öffnen |
Treffer 2 von 1313
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