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| Link zu diesem Datensatz | https://d-nb.info/132778548X |
| Titel | Hybridity in Life Writing : Combining Text and Images / edited by Arnaud Schmitt |
| Person(en) | Schmitt, Arnaud (Herausgeber) |
| Organisation(en) | SpringerLink (Online service) (Sonstige) |
| Ausgabe | 1st ed. 2024 |
| Verlag | Cham : Springer Nature Switzerland, Imprint: Palgrave Macmillan |
| Zeitliche Einordnung | Erscheinungsdatum: 2024 |
| Umfang/Format | Online-Ressource, XII, 296 p. 15 illus. in color. : online resource. |
| Andere Ausgabe(n) |
Printed edition:: ISBN: 978-3-031-51803-4 Printed edition:: ISBN: 978-3-031-51805-8 Printed edition:: ISBN: 978-3-031-51806-5 |
| Inhalt | 1 Introduction, Arnaud Schmitt -- Section I. Photography, text, photographic texts_2 Teresa Bruś, ‘Arenas of Hybridity’ -- 3 Nancy Pedri, ‘Photography, Intermediality, and Graphic Illness Narratives’ -- 4 Griselda Pollock in dialogue with Joanne Leonard, ‘Hybrid forms of Becoming in Being in Pictures: An Intimate Photo Memoir (2008)’ -- 5 Laure de Nervaux-Gavoty, ‘In Search of a Lost Past: Family Photography and Postmemory in Michael Ignatieff’s The Russian Album (1987)’ -- 6 Clare Brant, ‘Inserting the Manfish: hybridity in underwater memoir illustrations’ -- 7 Silvia Hernández, ‘Beyond Authentication: Text and Image in Patti Smith’s Autobiographical Prose Work’ -- 8 Marie-Agnès Gay, ‘“Moving shadows disappearing”: Erasure of Self in Theresa Hak Kyung Cha’s Autobiographical “Photo-Essay”’ (Exilée – Temps Morts – Selected Works) -- 9 Anne Green Munk, ‘Picturing ourselves through others – Text and Photography in Sally Mann’s Hybrid Life Writing’ -- 10 Veronica Ceruti, ‘Writing a Life Written in Pictures: Postmemorial Phototextualities in Helena Janeczek’s La ragazza con la Leica (2017)’ -- Section II. The materialities of hybridity: artists, autobiographies, textualities, images and graphic narratives_11 Julia Watson, ‘“This Counter-history”: Teju Cole’s Pandemic Visual Diary on the Kitchen as a Domestic/Postcolonial Medi[t]ation’ -- 12 Anthony S. Foy, ‘Black Bodies, Displayed and Displaced: African American Autobiography after the Halftone’ -- 13 Alex Belsey, ‘“Leaving the marks in”: the Dialectic of Journal & Drawings by Keith Vaughan’ -- 14 Virginia Terry-Sherman, ‘Ambiguous, Enigmatic and Absent Imagery in Contemporary Culinary Memoirs’ -- 15 Suzanne Joinson, ‘Messy Archives of the Self: Life Books and Ephemera of Carolee Schneemann and Francesca Woodman’ -- 16 Natalie Saudo-Welby, ‘Sounds and Silence made Visible: Cece Bell’s El Deafo (2014)’ -- 17 Hélène Tison, ‘Allie Brosh’s Hateful Narcissism’ -- 18 Pablo Allepuz García, ‘Autobiographyto Self-Portraiture, or Vice-versa: Narrativity and Visuality in Artists’ Life Writing’ |
| Persistent Identifier |
URN: urn:nbn:de:101:1-2404290406496.954796876744 DOI: 10.1007/978-3-031-51804-1 |
| URL | https://doi.org/10.1007/978-3-031-51804-1 |
| ISBN/Einband/Preis | 978-3-031-51804-1 |
| Sprache(n) | Englisch (eng) |
| Beziehungen | Palgrave Studies in Life Writing |
| Sachgruppe(n) | 800 Literatur, Rhetorik, Literaturwissenschaft |
| Online-Zugriff | Archivobjekt öffnen |
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