|
151 |
Technonationalism and Telematic Art in Canada. Vera Frenkel’s String Games (1974)
Proulx, Mikhel. - Marburg : Philipps-Universität Marburg, 2025
|
|
|
|
152 |
Teeth, soap and crystals. Reflections about the contingency in the poetics of the Brazilian artist Tunga
Seves Deister de Sousa, Vanessa. - Marburg : Philipps-Universität Marburg, 2025
|
|
|
|
153 |
Tele-viewing before Television in Interwar Italy. Predictions of a Future Media Practice
Dotto, Simone. - Marburg : Philipps-Universität Marburg, 2025
|
|
|
|
154 |
«The Face of Digital Folklore» Wojak und die Formen memetischer Appropriation
Moritz, Konrad. - Marburg : Philipps-Universität Marburg, 2025
|
|
|
|
155 |
The Infamous Afterlife of Popular Films: Metaphorical Production of Meaning in the Manosphere through The Matrix
Körber, Martha-Lotta. - Marburg : Philipps-Universität Marburg, 2025
|
|
|
|
156 |
THE LADY OF HEAVEN (UK 2011) and Representations of Early Shi‘i Islam in Films and TV Series
Tahiiev, Akif. - Marburg : Philipps-Universität Marburg, 2025
|
|
|
|
157 |
The Materiality of Virtual Fashion By Tyla Stevenson
Stevenson, Tyla. - Marburg : Philipps-Universität Marburg, 2025
|
|
|
|
158 |
The Meaningful Meaninglessness of Multiverse Movies: EVERYTHING EVERYWHERE ALL AT ONCE (Daniel Kwan/Daniel Scheinert, US 2022), Camus, and Qoheleth
Johnston, Robert. - Marburg : Philipps-Universität Marburg, 2025
|
|
|
|
159 |
The ‘Open Empire’: Communication Satellite Fictions in Three Country Happening (1966)
Wexelblatt, Nina. - Marburg : Philipps-Universität Marburg, 2025
|
|
|
|
160 |
The Prison of Things
Schröter, Jens. - Marburg : Philipps-Universität Marburg, 2025
|
|
Administration
